Boy meets girl, they fall in love—or do they? (500) Days of Summer (2009) explores the complexities of realistic relationships by examining themes such as romantic expectations, personal growth, and self-discovery. Through the perspectives of the protagonists, unlike typical romantic films, this “romance” defines a story about love, but not a love story.
In all honesty, I only began watching this movie because my friends had mentioned it to me (thankfully, they didn’t spoil much). They made it seem like a monumental masterpiece, which, frankly, they weren’t wrong about. This is one of those films that truly requires careful examination, as there are countless hidden meanings within every line of dialogue and scene. Although the plot could have been organized differently to make it easier to follow, the chosen structure enhances the protagonist’s perspective and how he perceives all that took place. I was especially fond of all the incredible songs featured on the soundtrack; each one elevated the scenes and made them all SO memorable. The special effects that they used were equally impressive, particularly the “Expectations vs. Reality” scene truly stood out to me. Also, the use of the warm tones was extremely creative and effective, making the character’s emotional states feel even more vivid. But what struck me the most was how much I related to both Tom and Summer. Despite their drastic differences, I found parts of myself reflected in them at different moments in the movie. Undeniably, this cinematic work shed light on my own ideas and prompted me to reflect on the profound ways in which others can shape our lives.
(500) Days of Summer is surprisingly based on a true story, where the main character, Tom, represents the screenwriter of the movie, Scott Neustadter; he mentions that more than 75% of what is seen in the production had occurred to him in real life. Tom Hansen, the protagonist of the movie, portrayed by Joseph Gordon-Levitt (whom I absolutely loved in 10 Things I Hate About You (1999)), as an aspiring architect and greeting card writer. He lives with the anticipation that finding “the one” will be the key to his happiness. The moment Summer Finn, played by Zooey Deschanel, who is a new employee at the company where Tom works at, captures his attention, he is convinced that she is his reason to live. Over the course of his 500 days with the girl he’s interested in, we notice how Tom’s love and happiness are shaped by his own perceptions and desires, often merging reality with fantasy.
Initially, it seems like the usual love story, the protagonists are introduced to each other, and everything appears to be going perfectly, until suddenly, it isn’t. Tom develops a romantic interest in Summer, but the narrator makes it VERY clear that this is NOT a love story. Yet, because of the elements that create a seemingly normal and romantic connection between the two characters, viewers may interpret the movie as a standard portrayal of a developing relationship—until it becomes clear that this isn’t the case AT ALL.
When Tom is first captivated and overwhelmed by Summer’s striking beauty, he becomes determined to gain her attention. His efforts seem successful, taking a positive turn because, well, she appears interested in him as well. But perhaps this was merely Tom’s interpretation all along.
Tom and Summer’s begin as the sweetest, most seemingly predictable “couple” you could imagine. Originally, they go out as friends, but after the incident in IKEA, Tom is left uncertain about what comes after; unsure if they are still just friends or something more. Although we know where Summer stands on that matter, Tom clings to the idea that their connection has deepened. He is convinced that she’s the one for him and projects his hopelessly romantic beliefs onto her, despite her clear aversion to such notions. He continues to build a fantasy around their connection which eventually clashes with Summer’s outlook. Consequently, this causes the film to take a bittersweet turn.
It is safe to say that this movie carries a profound meaning, more than just a simple romance, because, in truth, it isn’t a romance at all. Instead, it illustrates the struggle many face in uncovering their own identity and fate, and explores the idea that life is filled with countless possibilities. Ultimately, it reminds us that outcomes may not align with our desires, but often fulfill deeper needs we may not recognize yet.
Beyond its comprehensive themes, the film is rich with subtle details that add depth to the story from the very beginning. One striking example is the color palette throughout the movie. In many scenes, Summer is seen wearing blue, a shade that also echoes her bright blue eyes. This color becomes a representation of her sense of isolation and independence. On the other hand, when we see Tom, he is mainly surrounded by the color red, which represents his aspirations for an idealized romance. His longing for Summer and his difficulty in picturing a life without her not only indicate his journey towards self-discovery, but also show how Summer played a significant role in his personal growth and understanding.
We notice Tom as we travel alongside him in his pursuit of love (I feel you, Tom). His idea of believing that he has found the one, when in reality, is it really always that? We have grown so accustomed to watching romance movies and expecting them to always end with the two lovers trotting away after their prom or discussing their shared feelings, realizing that they were destined to be together. Instead, (500) Days of Summer (2009) demonstrates the importance of true fulfillment and how it comes from inner understanding, rather than simply letting yourself be defined by notions of a perfect romance.
Still wondering if this is a love story or not? Well, I guess you’re going to have to find out for yourself, but prepare yourself for an unexpected ending (no, seriously, and pay attention >:( , lol). Now, run to the couch, grab your Takis, and press play. Oh, also, I love the Smiths.
